{"id":1117,"date":"2019-09-30T11:08:51","date_gmt":"2019-09-30T11:08:51","guid":{"rendered":"http:\/\/artfile.es\/2019\/desfases-del-archivo-como-construir-la-imagen-desde-la-memoria-y-no-a-la-inversa-tres-casos-de-estudio\/"},"modified":"2026-01-23T15:38:28","modified_gmt":"2026-01-23T15:38:28","slug":"desfases-del-archivo-como-construir-la-imagen-desde-la-memoria-y-no-a-la-inversa-tres-casos-de-estudio","status":"publish","type":"post","link":"http:\/\/artfile.es\/en\/2019\/desfases-del-archivo-como-construir-la-imagen-desde-la-memoria-y-no-a-la-inversa-tres-casos-de-estudio\/","title":{"rendered":"Desfases del archivo: c\u00f3mo construir la imagen desde la memoria (y no a la inversa). Tres casos de estudio"},"content":{"rendered":"\n<p><em>Cr\u00f3nicas Mecas<\/em> is a collective project based on family albums that the town of O Grove (North Spain) is developing on Facebook. <em>Territorio Archivo<\/em> started as an exhibition project for the Cerezales Foundation, in Le\u00f3n (central Spain) and then became an online archive, compiling pictures from various family albums and also audio files. <em>Sammlung Minna Menz \/ Minna Menz Collection<\/em>, finally, is not strictly an archive; it is an artist\u2019s book exploring the passage of time and absence, in whose pages the roles of drawing and photography as means for documenting the past have been subverted. All three projects share aspects in which photography relates to anthropology, sociology and personal memory.<\/p>\n\n\n\n<p>This article gathers some of the ideas upon which I based my contribution to the seminar <em>Memoria y desacuerdo: pol\u00edticas del archivo, registro y \u00e1lbum familiar <\/em>(Universidad Internacional Men\u00e9ndez Pelayo, Huesca, October 2016), in which I used these three case studies so as to consider notions related to identity, archives and photography.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00abEl archivo, en sus numeros\u00edsimas manifestaciones posibles, es el repositorio por excelencia de la memoria y el recuerdo, herramientas indispensables en la construcci\u00f3n de la identidad tanto individual como colectiva. Entre los soportes en los que los documentos del archivo, a su vez, atrapan y fijan en el tiempo los recuerdos, la fotograf\u00eda ocupa desde su invenci\u00f3n un lugar\u2026\u00bb<\/p>\n","protected":false},"author":4,"featured_media":1112,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[47,72],"class_list":["post-1117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-texts","tag-archive","tag-photography"],"acf":[],"_links":{"self":[{"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/comments?post=1117"}],"version-history":[{"count":3,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1117\/revisions"}],"predecessor-version":[{"id":3375,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1117\/revisions\/3375"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media\/1112"}],"wp:attachment":[{"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media?parent=1117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/categories?post=1117"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artfile.es\/en\/wp-json\/wp\/v2\/tags?post=1117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}