{"id":1546,"date":"2020-11-10T16:29:21","date_gmt":"2020-11-10T16:29:21","guid":{"rendered":"http:\/\/artfile.es\/2020\/archivos-del-comun-ii-el-archivo-anomico\/"},"modified":"2026-01-21T07:45:39","modified_gmt":"2026-01-21T07:45:39","slug":"archivos-del-comun-ii-el-archivo-anomico","status":"publish","type":"post","link":"https:\/\/artfile.es\/en\/2020\/archivos-del-comun-ii-el-archivo-anomico\/","title":{"rendered":"Archives of the Commons 2: The Anomic Archive"},"content":{"rendered":"\n<p>This book brings together the lectures presented during the second edition of seminar Archive of the Commons II, which was co-organized by Foundation of the Commons, Museo Reina Sof\u00eda Museum and Southern Conceptualisms Network, and took place in Madrid in 2017. The seminar set off to review the role of the archive in contemporary culture, its metaphorical potential and also its possible use as a tool for knowledge and critical practice.<\/p>\n\n\n\n<p>Various archival drifts have been widely explored in numerous exhibitions, publications, and encounters over the past two decades. Often, the archive has been analyzed from a double perspective. On the one hand, after recognizing the \u201carchival turn\u201d of the late 1990s, artists have turned to it as a primary source of information and as a formal structuring device and heuristic tool. On the other, the renewed interest in the archive, both by artists and by historians, has given special visibility and relevance to the archive\u2019s problematic features, specifically as it is, in a certain way, a space linked to the exercise of power, surveillance and the imposition of norms for the preservation of memory, experience and collective identity.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"http:\/\/artfile.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-10-a-las-17.22.51-1024x682.png\" alt=\"\" class=\"wp-image-1534\" srcset=\"https:\/\/artfile.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-10-a-las-17.22.51-1024x682.png 1024w, https:\/\/artfile.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-10-a-las-17.22.51-300x200.png 300w, https:\/\/artfile.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-10-a-las-17.22.51-768x511.png 768w, https:\/\/artfile.es\/wp-content\/uploads\/2020\/11\/Captura-de-pantalla-2020-11-10-a-las-17.22.51.png 1172w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><br>The seminar, back in 2017, and also this book, published in 2020, explore different perspectives on institutionalization policies, methodologies and grammars that operate in different documentary bodies, as well as various strategies for socialization and access to art and politics archives.<\/p>\n\n\n\n<p>The book, in addition to an introduction by the editors \u2014Fernanda Carvajal, Mabel Tapia and myself\u2014, brings together texts by Nancy Dantas \/ Center for Curating the Archive, &nbsp;Graciela Carnevale \/ Graciela Carnevale Archive, Lani Hanna \/ Interference Archive, May Puchet \/ RedCSur, Philippe Arti\u00e8res, Daniel G. And\u00fajar, Alessandro Ludovico, Red Conceptualismos del Sur, Paulina Bravo \/ Archiveras sin fronteras, Krist\u00f3f Nagy \/ Artpool Research Center, Eva Weinma \/ Piracy Proyect, Maite Mu\u00f1oz Iglesias \/ LACA and YAXS, Ernesto Oroza \/ Disobedience Technology , Gareth Bell-Jones \/ The Flat Time House, and Francisco Brives, N\u00e9stor Prieto, Mar\u00eda Gil, Patricia Rodriguez and Elsa Velasco \/ Museo La Neomud\u00e9jar.<\/p>\n\n\n\n<p>The book was designed by Luc\u00eda Bianchi and Ramiro \u00c1lvarez, Buenos Aires.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This book brings together the lectures presented during the second edition of seminar Archive of the Commons II, which was co-organized by Foundation of the Commons, Museo Reina Sof\u00eda Museum and Southern Conceptualisms Network, and took place in Madrid in 2017. The seminar set off to review the role of the archive in contemporary culture, its metaphorical potential and also its possible use as a tool for knowledge and critical practice.<\/p>\n","protected":false},"author":2,"featured_media":1541,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[42],"tags":[47],"class_list":["post-1546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editorial","tag-archive"],"acf":[],"_links":{"self":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1546","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/comments?post=1546"}],"version-history":[{"count":11,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1546\/revisions"}],"predecessor-version":[{"id":3141,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/1546\/revisions\/3141"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media\/1541"}],"wp:attachment":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media?parent=1546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/categories?post=1546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/tags?post=1546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}