{"id":3230,"date":"2021-05-22T18:08:21","date_gmt":"2021-05-22T18:08:21","guid":{"rendered":"https:\/\/artfile.es\/2021\/un-espacio-hecho-de-espacios-tras-espacios\/"},"modified":"2026-03-29T20:28:22","modified_gmt":"2026-03-29T20:28:22","slug":"un-espacio-hecho-de-espacios-tras-espacios","status":"publish","type":"post","link":"https:\/\/artfile.es\/en\/2021\/un-espacio-hecho-de-espacios-tras-espacios\/","title":{"rendered":"Un espacio hecho de espacios tras espacios"},"content":{"rendered":"\n<p>Jos\u00e9-Miguel Ull\u00e1n&#8217;s writing, which has been extensively analyzed and discussed, has often been noted for the difficulty of pigeonholing it into currents, trends, literary groups, and other commonly used classificatory contexts. Jos\u00e9-Miguel Ull\u00e1n, in fact, did not write only \u201cliterary\u201d poetry. Is the same true of his visual poetry, or of the books he collaborated on with visual artists? Can we also speak, in these areas, of a creative practice that \u201cdeviates\u201d from the established formal paradigms in both genres? To elucidate this question in relation to artist&#8217;s books, this essay (in Spanish) set out to analyze his series of \u201cbooks with painters\u201d entitled <em>Funeral mal<\/em>, which Ull\u00e1n co-authored with successive artists, against the backdrop set by the conventions of the artist\u2019s book, a creative genre that, although relatively modern, has well-defined genealogies.<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jos\u00e9-Miguel Ull\u00e1n&#8217;s writing, which has been extensively analyzed and discussed, has often been noted for the difficulty of pigeonholing it into currents, trends, literary groups, and other commonly used classificatory contexts. Jos\u00e9-Miguel Ull\u00e1n, in fact, did not write only \u201cliterary\u201d poetry. Is the same true of his visual poetry, or of the books he collaborated &hellip; <a href=\"https:\/\/artfile.es\/en\/2021\/un-espacio-hecho-de-espacios-tras-espacios\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":2987,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[48],"class_list":["post-3230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-texts","tag-artists-publications"],"acf":[],"_links":{"self":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/3230","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/comments?post=3230"}],"version-history":[{"count":3,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/3230\/revisions"}],"predecessor-version":[{"id":3682,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/3230\/revisions\/3682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media\/2987"}],"wp:attachment":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media?parent=3230"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/categories?post=3230"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/tags?post=3230"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}