{"id":3853,"date":"2026-03-24T16:40:01","date_gmt":"2026-03-24T16:40:01","guid":{"rendered":"https:\/\/artfile.es\/2026\/ensayo-1-el-ensayo-polifonico\/"},"modified":"2026-03-26T10:40:34","modified_gmt":"2026-03-26T10:40:34","slug":"ensayo-1-el-ensayo-polifonico","status":"publish","type":"post","link":"https:\/\/artfile.es\/en\/2026\/ensayo-1-el-ensayo-polifonico\/","title":{"rendered":"Ensayo 1: El ensayo (polif\u00f3nico)"},"content":{"rendered":"\n<p class=\"has-text-align-left wp-block-paragraph\"><strong>The <em>Ensayos<\/em> series was launched in late 2021, coinciding with the start of a wide-ranging research project aimed at redefining\u2014from a feminist and, to the extent possible, decolonial perspective\u2014the canon that historiography has established for the artist\u2019s book genre. The aim of this series is to present partial research findings in a variety of printed formats. While disseminating information and content, the publications in the series experiment with alternative formats to the channels through which academic research is usually disseminated.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The first of the \u201cpublishing experiments\u201d in the <em>Ensayos<\/em> series is devoted intentionally to essay writing, and discusses three publications in which the authors employ different approaches to weave other voices into their own discourse.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u201c<em>Ensayo 1: El ensayo (polif\u00f3nico)<\/em> discusses three publications that, at first glance, would not appear to be closely related. Carla Lonzi, Joyce Wieland, and Lucy Lippard\u2014American, Canadian, and Italian, respectively\u2014never worked together, though Lippard and Wieland knew each other. Besides, these three publications of theirs have had very uneven reach: while Lippard\u2019s <em>Six Years&#8230;<\/em> has been considered for decades a fundamental bibliographic reference for the history of 20th-century art, <em>Autoritratto<\/em>, which has just been translated into English and has not yet been translated into Spanish, has circulated much less widely, and Pierre Th\u00e9berge\u2019s interview with Joyce Wieland has scarcely been read.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">These three books, however, share important features. To begin with, they were published around the same time, and their authors were women with deep feminist convictions who shared an interest in the intersection of art and political activism. Furthermore, although two of them are presented as essays and the third appears to be an exhibition catalog, their texts constitute examples of essayistic writing where various voices are combined\u2014in each case, through a different method.<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">Thus, each in its own way, these three essays formally transcend the traditional boundaries of the essayistic genre, opening paths toward forms of textual experimentation that continue to be potentially inspiring for critical and academic writing on art.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Madrid: self-published, December 2021<br>Concept, texts, photographs: Mela Da\u0301vila Freire<br>Graphic design: Cosmic, Barcelona<br>14.5 x 21 cm, 24 pages<br>Digital printing, 4+4 colors, stapled binding<br>Printed at Workcenter, Barcelona<br>1st edition: 50 ex.<br>Texts in Spanish<br>With the support of Desiderata Editorial, Madrid, and in the framework of the residency program 2021-2022 of the Paul Klee Summer Academy, Bern University of the Arts HBK, Bern.<br>Distributed through the exchange program of the Library of the Faculty of Fine Arts at the Complutense University of Madrid \u2013 Out of stock.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Ensayos series was launched in late 2021, coinciding with the start of a wide-ranging research project aimed at redefining\u2014from a feminist and, to the extent possible, decolonial perspective\u2014the canon that historiography has established for the artist\u2019s book genre. The aim of this series is to present partial research findings in a variety of printed &hellip; <a href=\"https:\/\/artfile.es\/en\/2026\/ensayo-1-el-ensayo-polifonico\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":4128,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[50],"tags":[62,48,60],"class_list":["post-3853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-self-publishing","tag-ensayos-series","tag-artists-publications","tag-women-artists"],"acf":[],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"The Ensayos series was launched in late 2021, coinciding with the start of a wide-ranging research project aimed at redefining\u2014from a feminist and, to the extent possible, decolonial perspective\u2014the canon that historiography has established for the artist\u2019s book genre. The aim of this series is to present partial research findings in a variety of printed\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"author\" content=\"Mela D\u00e1vila\"\/>\n\t<link rel=\"canonical\" href=\"https:\/\/artfile.es\/en\/2026\/ensayo-1-el-ensayo-polifonico\/\" \/>\n\t<meta name=\"generator\" content=\"All in One SEO (AIOSEO) 5.0.1\" \/>\n\t\t<meta property=\"og:locale\" content=\"en_US\" \/>\n\t\t<meta property=\"og:site_name\" content=\"ArtFile - Art Archives - Artist Publications\" \/>\n\t\t<meta property=\"og:type\" content=\"article\" \/>\n\t\t<meta property=\"og:title\" content=\"Ensayo 1: El ensayo (polif\u00f3nico) - ArtFile\" \/>\n\t\t<meta property=\"og:description\" content=\"The Ensayos series was launched in late 2021, coinciding with the start of a wide-ranging research project aimed at redefining\u2014from a feminist and, to the extent possible, decolonial perspective\u2014the canon that historiography has established for the artist\u2019s book genre. 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