{"id":4191,"date":"2026-04-20T12:17:06","date_gmt":"2026-04-20T12:17:06","guid":{"rendered":"https:\/\/artfile.es\/2026\/beyond-the-book-but-still-attached-publishing-by-artists-in-chile-in-the-1990s-and-2000s\/"},"modified":"2026-05-06T12:44:09","modified_gmt":"2026-05-06T12:44:09","slug":"beyond-the-book-but-still-attached-publishing-by-artists-in-chile-in-the-1990s-and-2000s","status":"publish","type":"post","link":"https:\/\/artfile.es\/en\/2026\/beyond-the-book-but-still-attached-publishing-by-artists-in-chile-in-the-1990s-and-2000s\/","title":{"rendered":"Beyond the Book, but Still Attached: Publishing by Artists in Chile in the 1990s and 2000s"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">As in other Latin American countries, post-avant-garde artistic practices in Chile suffered the impact of a ferocious dictatorship. Forced to resist censorship and prosecution, they were often connected to positions of political dissent, showing a desire to reclaim public spaces and involve spectators in the production of meaning. Despite these difficulties, artist publishing under Pinochet underwent a period of extremely rich experimentation. Examining the period following the advent of democracy, this essay analyses some examples of artistic initiatives from the so-called \u20181990s generation\u2019: publications by the collectives Jemmy Button Inc. and Muro Sur, and one of the works by Voluspa Jarpa, who was a member of both groups.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As in other Latin American countries, post-avant-garde artistic practices in Chile suffered the impact of a ferocious dictatorship. Forced to resist censorship and prosecution, they were often connected to positions of political dissent, showing a desire to reclaim public spaces and involve spectators in the production of meaning. Despite these difficulties, artist publishing under Pinochet &hellip; <a href=\"https:\/\/artfile.es\/en\/2026\/beyond-the-book-but-still-attached-publishing-by-artists-in-chile-in-the-1990s-and-2000s\/\">Continued<\/a><\/p>\n","protected":false},"author":2,"featured_media":4193,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[21],"tags":[48,58,60],"class_list":["post-4191","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-texts","tag-artists-publications","tag-latin-america","tag-women-artists"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/4191","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/comments?post=4191"}],"version-history":[{"count":3,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/4191\/revisions"}],"predecessor-version":[{"id":4211,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/posts\/4191\/revisions\/4211"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media\/4193"}],"wp:attachment":[{"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/media?parent=4191"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/categories?post=4191"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artfile.es\/en\/wp-json\/wp\/v2\/tags?post=4191"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}