The core of My Holy Nacho, an artistic project by Jamie Allen and Bernhard Garnicnig, is “immaterial” work: remote, delocalized, triggered only by instructions sent by digital means. Over more than a year, these two artists commissioned various services from successive industrial suppliers throughout the world, limiting their communication to mere emails.
My contribution to this project consisted in conceiving and producing a publication with a selection of the digital documents that constitute the (immaterial) archive that the project had generated.
The result was a 4m leporello which, by virtue of its format, is is not just a publication, but also a device suitable to be displayed in three-dimensional space, as if it were an object.
